Posts Tagged ‘edinburgh’

The Panopticon

The Panopticon

A stunning central performance, superb casting and a striking, minimalist set combine to make this seminal 2012 novel come alive on stage. This is powerful, visceral, and shocking. Anais Hendricks (Anna Russel-Martin) is a 15-year-old girl who has been locked in to the ‘care system’ since birth, and has now been transferred to the Panopticon,…

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Solaris

l-r-Polly-Frame-Keegan-Joyce-SOLARIS-Photo-Mihaela-Bodlovic

This is the first time that Solaris has been brought to the stage, and David Greig’s treatment based on the novel by Stanisław Lem is stunning, fresh and resonant. Science fiction allows for rules to be broken and conventions to be usurped, and this production certainly defies the norm, and any expectations you may bring…

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Robert the Bruce

This is not the story of a man who has been defeated in war coming back with a sword in his hand. This is the story of a family broken apart by war coming together with love in its heart. This beautifully woven piece of cinema is captured with ravishing photography by John Garret, and…

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The Duchess [of Malfi]

Adam Best as Bosola and Kirsty Stuart as The Duchess. Photo: Mihaela Bodlovic

This finely-staged drama is a visceral exploration of male violence and oppression, at once gripping, terrifying and mesmerising. A purposely nervous but soulful song starts the action in a stark, stripped back setting, and Kirsty Stuart quietly asserts both her power and her fragility from the start. Based on John Webster’s Jacobean revenge tragedy, The…

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Local Hero

Local Hero at Lyceum Theatre Edinburgh

It’s a big risk to take such an iconic, well-loved Scottish film and turn it into a stage musical. But Local Hero at The Lyceum is a triumphant, joyous and uplifting success. From the start, sparse, simple staging and subtle washes of light create an intimate, evocative atmosphere, with earthy humour and a distinctly Scottish…

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Touching the Void

Touching the Void, Lyceum Theatre Edinburgh

I can recall many theatre performances. But I can only once recall seeing anything quite as accomplished,  astonishing and as well crafted as Touching the Void.* Story. Dialogue. Characters. Lighting. Sound. Set. Props. Movement. Music. All fused together to provide a jaw dropping spectacle that was an immersive and complete work of art. I was…

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Anthropocene

Anthropocene by Scottish Opera. Photo credit James Glossop

There was a tangible buzz in the air for the world premiere of this opera in Glasgow’s Theatre Royal. With music by Stuart MacRae and libretto by author Louise Welsh, the story is set in the frozen wilderness of Greenland, where a scientific expedition comes to grief when plummeting temperatures cause the exploration ship King’s…

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Wendy and Peter Pan

Wendy and Peter Pan

The Lyceum’s Christmas production of ‘Wendy and Peter Pan’ is heart warming, funny, with elements of pantomime (but not too overdramatized). The first half of the show follows the traditional storyline of Peter Pan with Peter, John and Michael wanting to do nothing but play games and fight after arriving in Neverland. But there is…

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The Journey

The Journey

This is an excoriating, disturbing and intense hour of theatre in the round, and it highlights the desperate plight of refugees in a hard-hitting and unforgettable way. Three actors play the role of a family who are ‘found by war’ and graphically portray their plight as war comes to their unnamed home and gradually but…

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Rigoletto

Aris Argiris as Rigoletto and Lina Johnson as Gilda. Scottish Opera 2018. Photo: Julie Howden

Rigoletto’s daughter Gilda is an innocent who is first deceptively seduced, then kidnapped, and raped – behind this are powerful men acting with complete impunity and treating a woman as nothing more than a disposable object for their pleasure. Written in 1850, Rigoletto was perhaps the first opera to deal openly with the issue of…

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